Courses are organized around the study of a given technique and its variations and applications, which I believe is key to creativity and personal design. They are also given a hefty handout and a bibliography (all the books can be consulted in the studio). In each course students work on individual looms which they learn to dress, and are asked to weave several samples of the techniques and weaves under study. My courses, from beginner to advanced level, are on demand and aimed at highly-motivated people. I think hand-weaving should aim at creating art objects, designing small series of elegant interior design and fashion accessories, and designing for industry. understanding the relationship between sample and project, how to go from drawdowns, samples studied and woven during the course and patching together photos of the samples to designing interesting cloth and good textile artefacts. An important part of my courses is teaching a reliable working method for the creative craftsman, i.e. As well as hands-on teaching, students are given detailed course notes and have access to samples and ethnical and historical artefacts from my collections. My studio is at the same time a research centre, a workshop and weaving school, and a library of almost 2.000 books on textiles and related subjects. I took several study trips to the US, Mexico, Guatemala, Colombia, Peru, Bolivia and Syria, as well as to several European countries, where I was able to have a close look at, photograph and try out many local weaving techniques and collect ethnic artefacts and looms which I then studied and taught. As well as doing plenty of private research, I trained as a weaver attending courses at US universities, art schools, professional studios and studios of textile design, as well as weaving and dyeing summer courses in the UK. I gave two-year professional courses and free courses in my studio, and courses for schools of design, craft co-operatives and other institutions all over Italy. My weaving life has been fully taken up by designing, weaving and teaching. I took up weaving in 1958, so I’ve got years of study and research under my belt.
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